2022日本5.6《便利店故事》高清日语中字


更新时间:2023-02-08 类别: 评论 下载
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Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns.
  While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back?
  Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale.
  源自:/iffr/2023/films/convenience-story……
便利店故事的海报 便利店故事

便利店故事

评分:5.6 / 地区:日本/ 片长:97分钟 导演:三木聪 / 热度:2794℃
类型:/ 语言:日语 编剧:三木聪
主演:成田凌/前田敦子/片山友希/六角精儿/布施绘里/岩松了/涩川清彦/松浦祐也/BIGZAM/藤间爽子/小田ゆりえ/影山徹
状态:高清日语中字更新:2023-02-08
影片别名:通往异世界的便利店(台) / Convenience Story
Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns.
  While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back?
  Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale.
  源自:/iffr/2023/films/convenience-story

《便利店故事》妄想还是现实?观众看到的是幻想还是现实?昏黄的画面,不幸的4444、幸运的3333、荒野里的便利店、森林里的指挥家、八分钟前的太阳、狗粮,狗粮瓶里的花,死者经过的“永远祭”。

便利店故事剧照

午夜场惊悚片,确实是三木聪的经典风格。好一个世界奇妙物语之《便利店故事》,就是各种猝不及防特写怼脸真的救命。全员都看着不太正常的样子,这故事节奏设定非常《热海搜查官》了,一些“驻足”时刻。走向好怪好喜欢,结尾那个瞬间确实被感动到。昨日圆方第三场,电影和冷气都让人有点懵,但细品一下后劲还挺大。#HKIFF46

便利店故事剧照

虽然但是,哪怕是三木聪死忠粉,但这次好像也很难给三星了。反倒是觉得这个故事讲得太实了,反而不有趣了,而且那些天马行空的鬼点子也没了,严肃的议题既不深沉又不戏谑,两头不靠是最无奈了。一个(瞎说的)评价标准是:如果连布施绘理在片中都没什么发挥的话,那么这部三木聪一定是没意思的。

便利店故事剧照

「便利店杀人事件」。脚本家创作的是妄想还是现实?观众看到的是幻想还是现实?不幸的444、幸运的333、荒野里的便利店、森林里的指挥家、八分钟前的太阳、死者经过的“永远祭”。anyway,男主会遭遇这些有的没的,一定是他随地丢弃修勾的错……片山友希很好,很适合三木聪神叨叨的风格。

便利店故事剧照

某种《热海搜查官》世界的延续,这个便利店的location一定是在南热海!瓶颈期的脚本家00在生死之间的混沌世界被敦敦推倒后文思如泉涌!like paradise!(00在哪里都好容易被推倒啊!

啊?這都拍的啥啊?坐第一排正中的大哥帽子把字幕擋得七七八八,導致我們前排的人像泥鰍一樣扭來扭去,增添了一些額外的喜劇效果。以及突然發現成田凌側臉怎麼和章宇一模一樣。#hkiff46

#hkiff46圆方PE午夜场 1 - 观影体验:因为在很靠前排的位置导致要很仰着头看,使用大量的长焦镜头加手持拍摄导致有些画面过于眩晕;以及不知道是不是画幅的原因字幕被遮挡的严严实实,好在上面的英文翻译通俗易懂不至于很影响理解 2 - 故事情节:前面的铺垫奇奇怪怪有点不知所谓,走过隧道感觉又是千与千寻一般的穿越到光怪陆离的另一边荒野。一些恶趣味的惊吓和画面也是很日本了,就是容易心脏病发作好吗…有些细节好评,比如男主衣服上的字的正反顺序来标识身处的世界,狗粮罐头和花的前后呼应。当然也有很多逻辑不通顺的地方用“怪奇物语”糊弄过去啦。结尾出人意料但又囫囵吞枣的解释了男主其实已经离世女主拒绝承认事实于是编造了对方出轨并且派私家侦探调查的幻想(? 不知道是不是这么理解??

过往三木聪的作品虽然也会有些悬疑成分,但整体是轻松幽默的,这次因为有死亡主题,再按他那套不按常理的剧情发展,就会又混乱又沉重,完全不是脱力系而是乏力系。成田凌饰演的编剧写不出来剧本估计是三木聪的真实写照吧,写不出来还是不要硬写为妙。

三木聪个人风格的极致展现,既毫无价值又自作聪明。一个半小时的容量却无可以支撑时长的文本,任务架构立不住,整出戏几乎沦为了成田凌个人秀。剧情推进已全无逻辑可言,所谓的平行世界穿越存在感极低。无论玄幻、猎奇、惊悚还是讽刺都做的很差,质感廉价昏昏欲睡。想知道这100分钟导演到底都拍了些什么,这样的午夜场电影真心没有任何存在的必要。

猜到核心的时候看到形若《穆赫兰道》的餐厅场景时真的是噗了出来,还蛮屌的。用“逢魔之刻”概念先行,将所有场景都变成了宛如DVDRIP里面一样的、昏黄的00s日本电影场景,而在迷影主题里,各式各样的电影gag如同真在便利超商货架上的商品一般触手可及,而结局也没有追求想让每个人明白似的,自顾自地放飞到极限,只留下对不了答案的观众一脸懵逼。某种程度上也是春节档院线片总集篇了,但这才算作者性嘛wwww。3.5归4。

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